top of page
97E7B558-1387-4C6C-B47F-C8B1AE3414C7_1_105_c.jpeg

Writing Portfolio

Hello! Welcome to my writing portfolio. Please scroll to see a selection of writing samples from my role as a copywriter at Emergence Creative Agency, newsletters from the McTavish Quilting Studio, and excerpts from my research projects.

Writing Sample 1: 
Messaging Architecture

Health Tech Hub: Messaging Architecture

 

EXECUTIVE SUMMARY

  

Jacobs Heath Tech Hub at Cornell Tech: Innovation with Integrity

The Jacobs Health Tech Hub at Cornell Tech engages in cutting-edge research, entrepreneurship, and education at the intersection of health and technology. By launching innovations and startups and preparing students to be leaders in this ever-evolving field, we are creating a more efficient, affordable, and inclusive healthcare system. 

Through collaboration with Weill Cornell Medicine, the NYC health ecosystem, corporations, startups, government, and community groups, we identify healthcare challenges and opportunities, apply research in real-world settings, and jump-start innovative products, companies, and careers in health tech. Across all of our activities, we aim to bring New York City talent and economic impact and solidify its place as a nexus of healthcare innovation.

 

Master’s Program: Ivy League Rigor, New York Hustle

The Jacobs Health Tech Hub dual Master of Science degree program is a partnership between Cornell Tech and the Technion Israel Institute of Technology. Health Tech Hub students gain world-class tech credentials, industry insights, and an interdisciplinary education that prepares them for their careers and nurtures their entrepreneurial aspirations.

Located on Cornell University’s graduate campus on Roosevelt Island in New York City, Cornell Tech provides students with an opportunity to learn from world renowned faculty and industry experts, with access to a thriving professional network across one of the most diverse cities in the world. 

 

An Interdisciplinary Approach to Impact Through:

 

Entrepreneurship

Entrepreneurship is in our DNA. That means building impact through startups, social ventures, and innovations. We foster entrepreneurship through Cornell Tech’s Runway Startups Program and grow businesses and economic opportunities for New York City.

 

Education

We educate with the academic rigor of Cornell and the Technion, and the agility of a startup. We train students to apply artificial intelligence, machine learning, blockchain, human-computer and human-robot interaction, mobile systems, design, and other emerging tools to change the way healthcare is delivered and experienced. 

 

Innovation

We encourage innovation by offering students the guidance, network, and tools they need to bring promising ideas to fruition. With a deep commitment to responding to the real needs of real patients and healthcare providers, we develop technologies that can lead to a more efficient, affordable, and inclusive healthcare system. 

 

Collaboration

We build the foundations for new technology in healthcare by collaborating with medical experts at Weill Cornell Medicine and incorporating social considerations into our research. Across all of our work, we are committed to giving back to the City of New York.

 

Experimentation

The Health Tech Hub is designed to evolve along with the rest of the world, always adapting to the changing landscape of healthcare. Together, our faculty and students are solving today's problems with tomorrow’s technology.

 

 

 

BOILERPLATE

 

Long 

The Jacobs Health Tech Hub is improving healthcare for all through research, entrepreneurship, and education. Collaborating with Weill Cornell Medicine and the broader NYC health ecosystem, we identify the needs of patients and providers and create innovative solutions with integrity, incorporating social considerations into our research. With a focus on creating economic opportunities for New Yorkers, the Health Tech Hub nurtures students’ entrepreneurial aspirations with applied research opportunities that lead to new technologies and startups. Through our interdisciplinary dual Master of Science degree program in partnership with Technion Israel Institute of Technology, we equip students with the tech credentials and industry insights they need to launch their careers in health tech. By responding to the real needs of real patients and healthcare providers, technology can lead to a more efficient, affordable, and inclusive healthcare system.

 

Short

The Jacobs Heath Tech Hub at Cornell Tech is improving healthcare through innovative research, entrepreneurship, and education. Through collaboration with Weill Cornell Medicine, the NYC health ecosystem, corporations, start ups, government, and community groups, we identify healthcare challenges and opportunities, apply research in real-world settings, and jump-start innovative products, companies, and careers in health tech. Across all of our activities, we aim to bring New York City talent and economic impact and solidify its place as a nexus of healthcare innovation.

 

Shortest 

The Jacobs Heath Tech Hub at Cornell Tech is improving healthcare through innovative research, entrepreneurship, and education. 


 

[FOR FUNDERS]

 

Invest In The Future Of Health Tech

 

Supporting the Jacobs Health Tech Hub is an investment in the future of healthcare. The Health Tech Hub strategically prioritizes applied research, entrepreneurship, and interdisciplinary education to improve healthcare for all.

Innovating With Integrity to Close the Operational Gap
  • The Health Tech Hub is dedicated to addressing the disconnect between academic research and applied technology – or, the “operational gap.” In order to transform healthcare, we focus on translating research to clinical settings by supporting research implementation demonstration projects and prioritizing “innovation with integrity.” 

 

Encouraging Entrepreneurship at the Nexus of Artificial Intelligence and Healthcare
  • The Health Tech Hub aims to increase the success rate of health tech startups by providing students and faculty with resources, guidance, and a network of experts in this complex field. We are expanding our Runway program to include Health Tech Venture Studios, which will foster entrepreneurship and innovation in such domains as artificial intelligence in healthcare.   

 

Educating the Next Generation of Leaders
  • The Health Tech Hub is shaping future leaders in health tech through an interdisciplinary curriculum that incorporates human-centered solutions, novel data handling, and the latest advances in AI alongside courses in medicine, policy, and ethics. The Health Tech Hub combines the academic rigor of an Ivy League institution with the practical agility of a startup, preparing students to face challenges and identify opportunities that drive positive change in the healthcare system.

Writing Sample 2: 
Newsletter Manuscript

[Email Subject Line] 

Last Day To Get Early Bird Tickets

 

[Banner]

HealthNext Summit 2024

Roosevelt Island, NYC

2024 March 4-5 

 

[Header]

Don't Miss Out, Early Bird Tickets are Available Now

 

[Body]

AI is transforming the future of healthcare. HealthNext 2024 is your chance to be a part of the conversations that are shaping this future. In the past year, AI has been used to read mammograms to detect breast cancers that human doctors may miss or to diagnose brain tumors prior to an operation, and AI emotional support companions have been used in hopes of improving mental health. Alongside these advancements are rising concerns about AI ethics and responsible applications of technology in healthcare. 

 

HealthNext 2024 aims to convene leaders and experts in the field to address these concerns and create a better healthcare system for all. January 26 is the last day to get early bird tickets. Don’t miss out!

 

[Button]

Buy Tickets

 

[Header]

HealthNext Welcomes Micky Tripathi, PhD, MPP

 

[Body]

We are thrilled to announce that Micky Tripathi, the National Coordinator for Health Information Technology at the US Department of Health & Human Services will be speaking on Day One of the Summit on March 4th. Tripathi leads federal health IT strategy, policies, standards, programs, and investments. Join us to hear from Tripathi about his 20 years of experience in the field. 

 

[Header]

Cornell’s Leading Scientists at HealthNext 2024 

 

[Copy]

The HealthNext Summit convenes experts and leaders in the field working to advance effective and responsible applications of AI in healthcare. Read about some of our speakers from Cornell below, and check out our website for more details. 

 

[Image - Headshot]

Ashley Beecy

Medical Director, AI Operations, New York Presbyterian Hospital and Assistant Professor of Medicine, Weill Cornell Medical College

 

Dr. Beecy is an AI expert working to transform NYP’s data and AI strategies by providing leadership in areas of governance, process, and infrastructure to ensure the responsible deployment of AI in healthcare. Her research interests surround digital health and informatics, such as AI models that can detect and manage cardiovascular disease.

 

[Image - Headshot]

Frank Pasquale

Professor of Law, Columbia University and Cornell Tech

 

Dr. Pasquale is an expert on the law of AI, algorithms, and machine learning and has served as a professor at several distinguished universities. He has published more than 70 articles and book chapters; his book The Black Box Society is recognized as a landmark study in information law. 

 

[Image - Headshot]

Mert Sabuncu

Professor of Electrical and Computer Engineering, Cornell Tech and Vice Chair of AI and Engineering Research, Weill Cornell Medical Radiology

 

Dr. Sabuncu’s research interests include biomedical engineering, neuroscience, applied machine learning, computer vision, and computer-aided diagnosis. His work has been published in several peer reviewed journals and he has won numerous honors and awards for his work. 

 

[Button]

View More Speakers

 

 

[Header] 

Interested in Sponsoring the HealthNext Summit?

 

[Copy]

Help us build a nexus of healthcare technology innovation in NYC. Contact us for details about how you can sponsor the 2024 HealthNext Summit. 

 

[Button] 

Get in Touch

 

[Organizers]

Writing Sample 3: 
Boilerplate Language

2023 Urban Tech Summit Messaging

 

Final Tagline 

Cities: Driving Decarbonization Technology

 

Final Ticket Package Offering Name

Industry Insiders

 

Boilerplate Language

 

The 2023 Urban Tech Summit, hosted at Cornell Tech on Roosevelt Island, will explore how cities are driving decarbonization around the world. Academics, entrepreneurs, policymakers, and industry and public sector leaders will gather to discuss how New York City can lead local and global climate solutions.  

 

The Summit will cover technology, finance, and workforce trends that shape prospects for urban decarbonization. Over the course of two days, a diverse group will meet on Cornell University’s graduate campus in New York City to learn from one another and hear from a range of voices on these pressing issues through panels, keynote addresses, fireside chats, and interactive workshops. The Urban Tech Summit is an all-encompassing learning lab aimed at sparking big solutions.  


 

Urban Tech Academy

The Urban Tech Academy, hosted at Cornell Tech on Roosevelt Island on November 13th, brings together academic researchers, industry experts, and graduate students to explore the latest research on multi-modal, electrified transportation systems. Presentations and discussions will focus on the numerous technical challenges involved in integrating reliable, low-carbon mobility services and vehicle charging infrastructure.

Writing Sample 4: 
Narrative Piece

"Taste of Place"

Research on the emerging microbrewery culture in Duluth, MN

 

Madison’s kitchen is blue – the walls, the dishes, the hand towels, the toaster, the refrigerator magnets, the soda stream. I sit at the table on a bright floral printed seat cushion – blues and pinks and yellows – next to a vase of pink tulips. Madison is straightening up, she deep cleans every weekend. I help myself to coffee. The mugs are decorated with different types of wildflowers, and I choose one with a picture of a yellow flower and fern-type leaves. I ask Madison what it is. 

“Yarrow’s a sort of plant that you can use in biodynamic teas,” Madison says. “You can mix it with maybe a little bit of clay or something and spray it on grape vines to fight disease.”

She turns back to wiping the counters with lavender scented all-purpose spray. Her blonde hair normally hangs in tight ringlets down to her waist, but she tied it back with a blue scrunchie to clean. Her sweatshirt is blue. Her eyes are blue. Her favorite color is blue. In the driveway outside, her yellow Jeep is adorned with a bumper sticker that reads “I brake for wildflowers.” In a blue pot atop her fridge, a pothos plant is dying. 

“I’m probably stifling its growth – it should be repotted. I’m not very good with houseplants. Even succulents! Which are supposedly really hard to kill. I realized the ones in my room weren’t getting hardly any sun. I’m good with plants in the ground, but inside…” she trails off and walks over to the window, where a four-tier knect-a-shelf unit is loaded with trays of green sprouts. They’re labeled with masking tape: spearmint, lavender, lemon balm, sage, basil, thyme, parsley. “I’m really nervous about these guys, I’ve never done starters before. Someone told me I should do this–” she runs her hands over the tops of the plants, rustling their leaves – “to like, mimic the wind and make their stems strong. So you can imagine me standing here doing this every day.”

She moves onto the next shelf of sprouts, and I go over to help her. Before I came here, I chose a flower-scented perfume. She notices.

“What’s that called?” she asks.

“Her Scent Inspired the Flowers,” I say, smiling. “The bottle’s got flowers all over it. I knew you’d like it.”

“Yeah, I don’t even know when that started,” she says. She means her affinity for wildflowers. “I think it was when I was working for Deirdre.” Deidre is a vintner.  “Whenever I was having a bad day, she’d tell me to go pick a bouquet of flowers for my room to ward off the negative energy.” Madison points at her pothos plant. “I was having a really bad day, and I thought, I need to nurture something.”

 

Deirdre owns La Garagista, the vineyard where Madison worked  in Vermont. When Madison would arrive for her 9:30 shift, Deirdre would be sitting at the table with a cappuccino, and she’d invite Madison to sit with her for a while. They’d talk about a plan for the day, finish their coffee, go out and work in the vines. In the afternoon, they’d sit down for an hour and a half lunch. Deirdre’s husband, Caleb, is a chef. They grow their vegetables in their garden, and have farm-to-table food. After lunch, they’d work until it got too dark, or until the bugs got too bad. Some days, Madison’s job was to pick diseased leaves off of the vines. She'd go through every vine by hand, assess each leaf. During harvest season in September and October, Madison would work for seven days a week for sixteen hours a day for up to eight weeks harvesting grapes. 

“It’s intense and it can be beautiful and wonderful and all of those things at the same time. I think the job of a winemaker can be easily romanticized, and of course I can see why. When I picture myself doing this work I do feel at peace. But it’s hard work. You’re moving quickly, you’re on your feet for ten hours a day. That type of work can be romanticized because people think, oh, I love being outside. But do you love being outside as much when you're scything? Have you ever seen someone scythe before?”

“I’ve never even heard of a scythe,” I say.

“It’s a long wooden pole and on the end there's a crescent shaped very sharp blade–”

“Like death?”

Madison blinks, and then laughs. “Yeah! You know those things Death holds? That's what a scythe is.”

Madison stands up to demonstrate how she would use a scythe. She shows me how she has to use her abdomen muscles, because if she were to use her arms or her shoulders, she’d never be able to sustain that work. 

“There were days when I would scythe for eight hours,” she says. “You don’t want to over-mow, so you don’t want to bring a lawn mower under the vines. We would use these scythes, these really sharp blades, to chop the grass under the vine.”

She explains how she chops the grass that grows under the vines to curate a dry environment so fungi can’t grow up the vines. It’s a way of keeping the ecosystem balanced. 

“Do you think death carries a scythe to keep the ecosystem balanced?” I ask.

After a moment she says, “I think, moreso, it’s probably just a very dangerous medieval tool.”

At La Garagista, Deirdre farms using a lunar method, meaning she plants and harvests according to the phases of the moon. It’s thought that the moon affects groundwater, germination, and plant metabolism. Deirdre swears by it, and Madison swears Deirdre’s wine is the best she’s ever tasted.

“Is the lunar method real?” I ask. “Or is it one of those things that you have to believe in?”

“Well, whether or not it's real, what it does is it so deeply connects you to what you’re doing and to the place that you’re growing that it could never be a bad thing,” Madison says. “I’ve never felt such a deep connection to a place as when I worked in a vineyard.”

After graduating from Dartmouth, Madison had debt she couldn’t afford working her job at La Garagista, so she took an office job for two years. There, she fell in love with Joe, and followed him home to Duluth, Minnesota. She found that the city of Duluth aligned with her values of feeling connected to a place. Duluth loves local – local food, drinks, clothes, art. Duluth has local breweries, distilleries, and cider houses.

Duluth is a small coastal city located on the very tip of Lake Superior. To the north, forest. To the south, water. People like to call it “the city on the edge of the wilderness.” Many locals have their own gardens, chickens, compost operations. The social scene revolves around hiking, canoeing, fishing, camping. Rivers run all through the city on their way to the lake. Much of the natural landscape is swamp. Each spring, in the inner city, confused geese wander around the Mall parking lot, padding across the cement, between rows of cars, where there was once swamp land. In their bodies, they remember to come to this place year by year, but they can’t figure out why. Cattails still grow in the grassy road dividers. 

It’s sapping season. Madison and Joe spend their evenings boiling maple syrup. They’re preparing their gardens for the growing season – vegetables because they’re practical, flowers because of Madison. She has one small patch of grapevines winding up a fence. When I pull into her driveway one day, all I see is the legs of her overalls, the upper half of her body buried in the vines, checking on the grapes hidden inside. The birds get the fruits before she does, she says, not at all begrudgingly when she emerges.

On the weekends, Madison and Joe drive up the shore to fly fish. He’s teaching her. She’s never landed a fish, but she caught one once. She got overly excited and pulled the pole up too hard, the fish went flying on the line and got tangled in a tree branch hanging over the water. There the fish hung, flopping just above the water, until Joe reached it, saved it, released it. On the table across from me, Madison sets down the new fishing pole she’s assembling. Joe gave it to her for their anniversary. She’s working to attach the rod guides to the rod; her windings are blue.

Right now, Madison works as the assistant cider maker at Wild State Cider. In March, she created her first original cider, named “tree hugger sap seltzer,” which is a light cider mixed with maple sap and a slight amount of maple syrup. She got the idea from a drink she used to like when she was in college in New Hampshire – maple seltzers, just carbonated maple sap. Collis Cafe sells them. Madison loved the idea and went ahead with it. It’s been hugely popular.

 

Wild State opened in Duluth two years ago, and it’s motto is, “preserving and celebrating what’s wild.” It’s written on all of the cider cans, its where they got their name. Madison says their cider making philosophy is simple, the way they make cider is simple, their cider is simple. Their cider is made up of only the simplest of ingredients, with no added sugars. The goal is to make a cider that represents an apple in its purest form.

“We get apple juice, I put yeast in it, we ferment it,” Madison says. Whereas other cider companies get apple juice concentrate (which, unlike juice, is processed and full of sugar), add water, ferment it, and then add more juice concentrate to sweeten the cider. 

Wild State does it’s best to make natural cider. They sweeten their ciders with natural sugars like apple juice, honey, or maple syrup. They filter their cider through a ceramic membrane – a pressure filter. 

“We don’t filter by adding things to [the cider],” Madison says. “If you look into different ways you can filter things like alcoholic beverages, there’s random weird shit like egg yolks that you can add into alcohol to make it filtered. It can be pretty gross. Anyways, the whole process [at Wild State] is clean. We’re not adding chemicals and stuff.”

The least natural part of their cider making process is the carbonation. It’s possible to naturally carbonate cider if the fermentation process were completed in a bottle that would trap the CO2 produced during fermentation. But at Wild State, they force carbonate, which Madison says is pretty common. 

“We carbonate with a carb stone,” Madison says. “I actually don’t really know what the stone actually is, but it has all these really mini holes on it and you hook up a CO2 line to it and the CO2 disperses in the solution of the cider.”

Forced carbonation allows for the cider makers at Wild State to control how much or how little they carbonate a particular drink. With their fruitier, sweeter ciders, they add very little carbonation – just enough to round out the flavor. The classic cider, which is simply fermented apple juice, tastes better with more carbonation.

“We probably will create a naturally carbonated cider at some point because it’s something I really want to do,” Madison says. “A La Garagista, [natural carbonation] was all we would do. That’s just how it used to be done with traditional wine making. I would call the stuff we do at Wild State modern cider making. It’s just different styles of making products.”

While she works, Madison listens to artists like Dua Lipa and Taylor Swift. She's on a Lover kick right now. When she’s moving all those heavy tanks and buckets around, she likes being reminded of strong women. Wild State cider is the first male-dominated space she’s ever worked in – at the vineyard, in the office, her bosses have always been women. Now she feels the disadvantages of being of a smaller physical build than her co-workers. She tells me about the sixty-pound jugs of agave she had to haul across the building the other day, before she lifted them up to shoulder height to pour. She seems proud. But, meanwhile, her coworkers are able to lift, carry, and stack 160 pound kegs, which Madison physically cannot do. 

When Madison goes in for work in the morning, one of the first things she does is taste the fermenting cider from the night before. She laughs about how high her tolerance for alcohol has gotten – she ends up drinking quite a bit on the job, taste testing. She’s started spitting her samples out, into the drains on the floor. She’s come to think maybe nine in the morning is too early.

Madison hopes to work at Wild State until she is able to buy a vineyard of her own. She loves to make cider, but it’s not her dream job. Her dream job, she says, would be one where she can put her hands in the dirt. Some days, since she’s been working at Wild State, she wakes up, walks from her house on the cement sidewalk to her car, and from her car across the paved parking lot into work. And her feet never touch the dirt. That’s not the ideal circumstance for her.

She’s been scouting properties just outside the city – potential vineyards. She wants to find some farmland with southfacing hills, which would optimize sunlight during Minnesota’s short growing season. She will plant her own apple trees and her own grapevines; the grapevines won’t produce fruit for three years after planting, and the apple trees, ten. But she wants to wait, she wants to do it right. And she knows that Duluth will appreciate her work and support a natural winemaker.

“Vikre Distillery, for example, is doing with spirits what I want to do with wine,” Madison says. Vikre is located in downtown Duluth, right on the shore. It was founded by another Dartmouth grad, Joel Vikre, and his wife, Emily. “They are creating a spirit that represents the physical landscape of Duluth. They use all locally sourced botanicals for gin and whiskey. They have a spruce gin and they pick their spruce tips in this area. They harvest local cedar for one of their cedar gins. The water is from Lake Superior. This landscape is in the bottle. I think that's beautiful.”

 

Vikre is kind of a cocktail bar, kind of a liquor store, kind of a distillery, and it’s the only place Alex Duncan has ever seen that does all of that in the same place. I sit in a royal blue velvet chair at a whiskey barrel table, talking to Alex. She’s worked here for about four years now, doing a little bit of everything. She’s dressed casually, in an untucked button down. She doesn’t sit, but stands in front of me, shifting her weight from foot to foot and rubbing her hands together while she talks. 

“I’ve been on a lot of distillery tours in Kentucky and Tennessee, and this is the first time I've ever seen so much space integrated into itself,” she says. She talks over a lot of banging coming from the work area – “that would be the distilling process that is happening, those are barrels being banged on,” she’d explained earlier. When it gets a little too loud, she pauses, then continues. “You can see what’s happening. You see your vodka being put into a still, you see your cedar blossom that we throw into the cedar gin, you see the barrels we use to age the whiskey.”

I follow Alex behind the bar. Giant silver tanks tower. One very little lady paces back and forth among the tanks, carrying smaller barrels, pulling levers, checking temperatures, pouring things, banging on the whiskey barrels. From one of the tanks, she drains boiling water, and it gushes across the cement floor. My feet are saved by the trench-like drain stretching between me and a small river of boiling water.

Alex loves the color of whiskey. “Clear spirits are great,” she says. “They do their thing.” She shrugs. Whiskey, though. She loves the way it’s aged, the fact that sometimes, she’s drinking something years, decades older than she is. And she loves the way it reminds her of her grandpa. He didn’t drink much, but when he did, he drank brandy, and he drank whiskey. And he had that smell about him, a smell she remembered the first time she tried whiskey.

Vikre started with whiskey. Joel and Emily had been living in Boston at the time but were in Duluth visiting Emily’s mom when they were first given the idea for a distillery. Emily’s mom had recently gone to a whiskey tasting, and tried Swedish whiskey, or aquavit, which is a spirit made from Scandinavian botanicals and local water. Joel thought, Lake Superior’s right here in Duluth, and why not make an aquavit with that?

“My only skill is sort of taking a weird idea and then figuring out how to make it happen,” Joel told me on the phone. “In Boston, I was meeting with my therapist, and I told her this idea, and she goes, that sounds crazy to me, which is something that’s funny to hear from one’s therapist. But, to me, it made perfect sense. I don’t know, you sort of envision a thing, and then you solve all of the problems between where you are and that thing being real.”

After college, Joel went from ecology to public health to global health to nonprofit work to opening a distillery – says he learned about spirits on YouTube. Now he’s starting another company building saunas in Duluth.

“I had all these people in my life saying I need to pick a field and plant,” Joel said. “What they meant is I need to pick a career or an academic discipline and get all the way through it and become an expert. But the idea of Duluth is, well, what if instead of picking a profession, what if we picked a place. So Duluth is sort of a physical field.”

Alex tells me what she’s heard around town, that people come to Duluth for one of three reasons: because they grew up here, for work, or for love. Alex came for love, which left her looking around for work. She found it at Vikre. 

“It was just something I hadn’t tasted before,” she says. “They make gin with things you don't normally see in gin. The cedar is super heavy, so it’s smokey, but it’s also citrus-y.” Vikre uses local ingredients. The citrus, herbs, berries, botanicals, water. Some of their ingredients they source from Duluthians’ gardens, driveways, from “friends of friends of friends.”

            Before Vikre was Certified Organic, it was easier to forage for ingredients. “We can’t just pick spruce tips like in the median on our street anymore,” Joel said. But his friend owns a certified organic farm in Duluth – The Food Farm – that has extended property. They’re able to get their foraged ingredients from that property.

Joel and Emily were drawn to Duluth because it’s the sort of place people go simply because they want to be there, not because they’re chasing something else. Boston is a place where people live temporarily; most people, Joel said, are there for their career, or for their reputation, or for academic success. He got tired of all of his friends moving away. Duluth, though, has a whole different set of values.

“It’s amazing to make friends here and be like, oh yeah, I might be friends with you my whole life,” Joel said. “[Duluth is] stable and it’s very oriented towards community and living well and less concerned about achievement.” 

 

Madison says she has to meet Joel and Emily eventually. She’s lived in Duluth now for a year, and all of the people she knows, knows Emily and Joel. One of her coworkers at the cider house grew up across the street from Emily. Wild State cider sent Vikre some of their cider to distill this past winter. 

I tell Madison that I talked to Joel about Vikre distillery. “Did you tell him I’m his biggest fan?” she asks. I did.

It had begun to rain outside, and Madison quickly mixed up batter for a banana bread and popped it in the oven to heat up the house. She moves on to cleaning the floors.

“Someday when I own a farm, people are gonna be like, this isn’t really a farmhouse.” She pushes a vacuum. “I’m gonna be like, why? And they’re gonna be like, it’s too clean.”

Writing Sample 5: 
Interview with a Fabric Designer

McTavish Quilting Studio & Fabric Newsletter | December 2022

Based on an exclusive interview with designer Giucy-Giuce

 

At the studio this week, we’ve just received fabric designer Giuseppe Ribaudo’s (AKA “Giucy Giuce”) new line, Fabric From the Basement, the second fabric line in what will be a three-part series. The first line in this series, Fabric From the Attic, includes vintage style fabrics in colors such as “Plum”, “Ocean”, and “Marigold”; Fabric From the Basement is made up of cryptic designs, tally marks, scribbles, and paint splatters, ranging in color from “murk” to “envy” to “milk.” 

Behind Fabric From the Attic, Giucy Giuce explained, is a coming of age tale. As he created the designs, he imagined a quilter moving into a new home. The attic of this house has a slanted ceiling, creaky floors, and one window that floods the space with natural light. In this attic, the quilter discovers an old trunk filled with fabric, left by the previous owners.

 

“I imagine the joy and glee of discovering this fabric and knowing exactly what to do with it,” Giucy Giuce said. “A lovely experience in their first new home.”

When the quilter finishes moving into the house, they move the rest of their things down into the basement of their new home. And in the basement, the quilter discovers another box – a wet cardboard box, covered with strange symbols. Inside the box the quilter finds old, moldy fabric, with hand written notes scrawled over the patterns. The fabric gives the quilter a bad feeling, and they begin to notice other weird things about the house. Fabric From the Basement depicts a story of true crime. 

The idea to create this collection first struck Giucy Giuce when he visited his partner’s parents’ house in Maine. 

“His parents have this basement, and it’s just like, a really good basement,” Giucy Giuce said. “And then we moved into [our new house in Maine] and I was like, wow, Maine has really good basements – like, I’m definitely not going down there in the dark kind of basements. If you hear the door close behind you and you get scared, that’s a good basement.”

 

In Giucy Giuce’s story, after the quilter discovers Fabric From the Basement, and strange things begin to happen in the house, they decide to get the police involved. Thus, the next collection in this trilogy depicts a detective story. 

“A lot of the things that are hard to understand in [the Fabric From the Basement] collection will be explained in the next collection,” Giucy Giuce said. “It will tie Attic and Basement together in a really fun way. I’m hoping people will see [Fabric From the Basement] for more than just a scary line.”

Fabric From the Basement is what Giucy Giuce describes as a “horror collection.” 

 

“It’s an ooky collection,” Giucy Giuce said. “I’m weird, and I think there’s a market for that. There’s beauty in darkness, there’s beauty in the unknown. Every fabric designer who is gonna stick around for a while has to have something unique they bring to the table. I like finding beauty in unlikely places. There’s beauty in everything, it just depends on how you see it and how you put it together. I think something muck-colored can be beautiful if you pair it with the right thing. Today, we’re all about challenging beauty standards. Why not apply that to fabric?”

It helps, of course, that Giucy Giuce’s fabric company, Andover Fabrics, is supportive of him in his creative endeavors. 

“I thought for sure when I pitched this collection they would be like, oh this is too dark no way,” Giucy Giuce said. “But they were like, you have a vision, go do you.”

Giucy Giuce’s favorite fabric in the Fabric From the Basement collection is a pattern called “rant”, which comes in four different colors. The pattern is made up of poetry that Giucy Giuce wrote when he was in high school, covering the fabric all over in a handwriting-style font. It was strange, he said, to revisit his old writing after so many years, but it was something he felt fit in with Fabric From the Basement.

“[When I wrote those poems] I was trying to figure out a lot of things about who I was at the time. Now, I have answers to the things I wondered about. I’m not that person anymore, so it felt a little weird to go back down that well,” Giucy Giuce said. “As you grow and change and figure out who you are, you’re always at your core the same person, but I’ve learned a lot more about myself since [I wrote the poetry on rant] and I’ve come to understand myself since then.”

Scrawled across this fabric are notes that read, “I have all these pieces of nothing and I’m stringing them together to make something”, “I used to watch the snowfall for hours”, “Structure of the sky: for all we know, it’s just infinite pieces of blue construction paper,” and “Everything will be beautiful someday.” 

In the past, Giucy Giuce has not shied away from creating strange and unexpected collections. He’s created a fabric collection depicting the conspiracy theory that the government covers up evidence for extraterrestrial life; he’s also created a fabric line inspired by a painting of a sunset from his grandmother’s house. Despite the specificity of these collections, “people found their way in.”

“We have way more threads that connect us than you know,” he said. “If you put your authentic self out there, people are going to respond to it. I’ve been feeling particularly inspired lately to really go for it, to not edit myself too much if I have an idea. If nobody else likes it at least I’m putting my most authentic self out there.”

 

At the studio now, we have the complete Fabric From the Basement collection available by the yard and in fat quarter bundles. 

Writing Sample 6: 
Research Excerpt

A Different World

Excerpts from my research project, Women and their Birth Control. Pseudonyms are used for privacy 

Rose graduated from an Ivy League university in 1953 with a degree in English literature and dreams of building a career in publishing – but many companies refused to hire women. Many of her male peers began interviewing in their senior year of college and, by the time they graduated, had jobs lined up at large corporations and banks. When Rose landed the occasional interview, the big question was, How many words can you type?, though she had no interest in being a typist. Rose and many of her female peers were under pressure from their families to find a husband in college, and many of her friends got married soon after they graduated – indeed, according to the U.S. Census Bureau, the median age at first marriage for women in the 1950’s was just over age 20 (Figure). Rose didn’t want to be a wife, she wanted to be out in the world. But by age 22, she was engaged to be married.


“I was pushed into marriage because I couldn’t go home and I couldn’t work,” Rose said. “I didn’t know what to do. It was rare for someone not to get married after college.”


It wasn't until after she was married that Rose learned about birth control. A friend told her to go to the doctor and get fitted for a diaphragm, which she did. 


“I never changed my birth control until I didn’t need it anymore,” Rose said. “When I wanted to use [the diaphragm], I used it. A lot of people felt they didn’t have to use the diaphragm and they could take a pill and that’s easier. I never went for a pill. I don’t believe in taking pills for any reason, unless it's a Tylenol or something. I think [pills] change you biologically.”


Rose was not sexually active before she married. She doesn’t know what her peers used for birth control in college, or if they even needed birth control. She and her friends didn’t talk to each other about things like that. Casual and premarital sex were not part of the dating culture. 


“There’s nothing wrong with [casual sex], it just wasn’t done,” Rose said. “We were busy. We lived in the girls dorm in college, and we had to be in at 10:30 on weeknights. I was glad even if I liked the date not to have to stay up all night with him. It was a different world, I thought it was kind of nice. You could do your studying and not worry about the rest of it. I’m not enamored by what goes on today.”


From the time she was twelve years old, Rose always had boyfriends – she was usually in love with one or two boys at a time. And though she went on many dates, she never felt pressure from her dates to have sex. 
“Now I don’t know if you can do that,” Rose said. “The boys expect too much. I didn’t have to give up my virginity. I was free to just love them.”


To Rose, sex is special, and it should be had with someone special. She worries that young people today are having too much sex and might not regard it to be as special as it is, which may contribute to young people finding sex and love less enjoyable. Rose’s suspicions are well founded; professor Nicholas Wolfinger discusses in his article, “Does Sexual History Affect Marital Happiness?” the positive correlation between a high number of premarital sexual partners and a lower likelihood to report a “very happy” marriage; generally, those who have fewer sexual partners before marriage are more likely to report having a “very happy” marriage later in life – with 65% of women who have had only one sexual partner in their lifetime reporting a “very happy” marriage compared to 55% of women who have had over 20 sexual partners reporting a happy marriage. Nonetheless there are too many factors to consider to accurately determine the reason for this correlation (Wolfinger). Personally, though, Rose believes the love of her life was made even more special by the wait. Rose was divorced from her first husband and in her late twenties when she met her life partner. 


“Love takes a long time. It has to develop,” Rose said. “It gets better if you do it right. We were a little bit older by then. We knew a little more about what the world was. It wasn’t like I was nineteen and knew nothing.”


Rose wishes her mother would have been more open with her about taboo topics when she was growing up, such as being intimate with boys. Her mother never told her much, so in high school, Rose learned about romantic encounters from the “fast girls” at school – the girls who had experience, who’d started dating young and had kissed boys. When Rose had kids, her and her husband were straight with them. They agreed that if their kids had questions, they were entitled to the answers. 


“Whatever kind of problem they had, sex or whatever, they should come and tell me about it,” Rose said. “Everything was fine with me. I was only concerned for their health. You gotta be careful, you can get sick [with] STDs. But I was not judgemental in any way. They lived in a different world than I did.”


It’s true that Rose’s kids grew up in a much different sexual landscape than Rose. Use of the birth control pill became more common after 1972, when The Supreme Court ruled in their case Eisenstadt v. Baird that single women have the right to access birth control; furthermore, the Sexual Revolution of the 1960’s and 70’s created space for a more casual perception of sexual encounters in the developed world. It’s likely these two things led to a rise in premarital sex, especially among young people, in the late twentieth century. According to Lawrence Finer, PhD, in a study measuring trends in premarital sex in the United States between the years of 1954-2003, though nearly everyone will have premarital sex in their lifetime, among those who turned 15 between years 1954-1963, only 26% had had sex before the age of 18, and 48% had had sex before the age the of 20; in contrast, of those who turned fifteen between the years 1974 and 1983, 50% had had sex by age 18, and 72% had had sex by age 20 (Finer). So, by the time Rose’s kids were teenagers in the late 70s and early 80s, not only had it become easier to avoid unwanted consequences of sex, but premarital sex had also become more culturally acceptable, and in turn much more common than in Rose’s youth.


“I can’t judge these ways of life,” Rose said. “But in my heart, sex is equal to love. If it's not equal to love, why would I want it?”

© 2023 by Maeve Fairbanks All rights reserved.

bottom of page